Sunday, 22 February 2015

Photographic shoot!

Shoot Day!

So today I had my photo shoot, I planned to arrive at 10 have a little chat with the photographer and get set up in time for the arrival of my model at the studio for 10.30. I showed him the mood board I took with me so he could get a jist of exactly what I wanted to achieve.

 My mood board


I arrived with Charlotte and her model, we set up, then my model arrived!

I introduced myself and asked her if she needed a drink or to use the bathroom before we started. I wanted to make sure she was as comfortable with me as possible as we were complete strangers!

Before the shoot day I made sure my model had no allergies and that she was ok with the look and products I wanted to use, she told me she had no allergies and was fine so that was good, it meant that I didn't need to change anything I had planned. I told her to come wearing some sort of bottoms as I had a shirt for her to wear as it was only a head and shoulder shot, I just wanted to make sure she didn't turn up in a dress or a jump suit as then she wouldn't of been able to put the shirt on without taking everything off! 

I brought everything I think I would need in a clear set bag from PAM, I chose to bring this instead of a case as I didn't know how big or small the studio would be, and if I would have a space to set out my kit, so by bringing the clear bag I could see where everything was, and easily accessible. I'm glad I did as there was only a small round table and there were two of us that needed to work on it. I brought 2 false flowers for the shoot, one a wine red rose and the other a bright red carnation, just like the ones in the D&G SS15 catwalk.

I decided to start on the hair first:

- I brushed through her hair then section by section I curled it using my own curling wand. I sprayed each curl with Schwartzkopf extreme hold hairspray it is my absolute favourite hairspray and the only one i find that actually holds the style, especially if you have hair like mine which drops instantly! The hair was pretty stiff at this point but that's how I wanted it whilst I did the make-up so it keeps it's curl, I dressed it out properly at the end.

- I started by cleansing my models skin as she was wearing a light amount of foundation as she'd had a break out, she also had leftover mascara and eyeliner from the night before, she told me as it was water proof she struggled to remove it. I used Garnier micellar cleansing water which is hypo-allergenic and can be used on all areas of the face including the eyes. I removed the make-up from her face and her mascara using a cotton pad, then remove the eyeliner along both her bottom and lower lash line using a cotton bud, with the cleansing water. I then applied an oil free moisturiser all over her face using my hands which of course I checked with my model first to see if it was ok, I chose to use an oil free moisturiser as I noticed my model had quite oily skin.

- I then applied MAC studio fix fluid in shade NC15 as it was a perfect colour match. I applied using a foundation brush then buffed in using a bronzer brush, I find this technique works really well when you want to achieve a flawless skin look.

- I then applied concealer I used my La Maquillage palette to conceal, my model had quite yellow undertones with a touch of pink, so I mixed the lightest beige shade, with the yellow, and a tiny bit of the peachy pink. I applied to around the nose, the forehead and under the eyes, I used a concealer brush then buffed in using the same bronzer brush from before.

- Next I did the contour; I used the light brown colour from my La Maquillage palette. I applied using the same foundation brush to the cheekbones, down the sides of the nose and up to the brow, to the temples and along the jawline I then buffed in using the same bronzer brush. 

- I then mixed a highlight colour by using a bit of my foundation colour combined with a small amount of white grease paint. I applied to the forehead, down the bridge of the nose, to the chin, on the brow bone, on top of the contour line, I then blended it all in using the same bronzer brush but made sure I cleaned off the contour colour with IPA first.

- I then applied prep and prime translucent powder from MAC all over the face using a powder brush, as my models skin was quite oily I felt this was the best decision. 

- I then applied a dark blush colour from MAC to apples of the cheeks, and then applied a bronzer along the cheek bone and blended together.

- I then brushed through the brows, then filled in using my Ben Nye Colour shadow palette, I combined colours black brown and cocoa brows to match my models natural colour. I filled in using a small angle brush. I then sharpened the outline of the brows using a eyebrow pencil from MAC; to get the really sharp and defined. I didn't have any brow gel so I applied a small amount of Vaseline to a mascara spool and brush through the brows, I thought this would look really good under the studio lights and give off a nice shine in my shot.

- Now for the eyes my original plan was to keep my models top lashes her own, but apply lots of mascara then clump lashes into groups as seen at Rochas SS15 show, then do the look seen at Nanette Lepore's SS15 show; white liner applied along the lower lash line to make the eye appear bigger then apply false lashes along the 'new lash line' created with the liner.

-I held the false lashes I had brought with me on the bottom of the eye and I just wasn't happy with how it looked so I thought on my feet and decided to place the false lashes on the upper lash line, I then applied a white pencil liner from Kryolan along the lower lash line, bringing the line right to the inner corner and round to the top lash line, and the outer edge into a flick pointing downwards. I then applied alot of mascara to my models lower lashes as they were really long anyway. I then applied a dark brown shadow from Ben Nye using a small thin brush along the upper lash line, I used a mini smudger brush to blend and soften the line. 

- I then applied cherry red lip liner from MAC around the lips, and filled in the corners as this is the place lipstick fades from first. I then used my Kryolan lip palette, to create a dark red colour, I mixed a dark red and a little dark purple together and applied to the lips using a lip brush, I applied a few coats as I find it more of a lip stain/gloss and II wanted it to be really bold like it was a D&G's SS15 show. 

- I then used MAC vanilla pigment to highlight under the browns, down the bridge of the nose, on the apples of the cheeks, in the cupids bow and the chin.

- I then finished off the hair; i brushed through the curls gently making sure not to pull on the hair too much so I didn't pull out the curls, I just wanted to lose the 'crispiness' from the hairspray. After I had done this I wrapped some of the curls around my finger to define them again. I then applied Schwartzkopf volumizing root lift powder, to the roots of my models hair as it was quite fine and flat, I then sprayed salt spray throughout the hair, making sure I was moving the hair as I did it, to ensure even coverage. 

- The last thing I did was paint my models right hand finger nails with a red nail varnish, as this was the hand that will be in my shot, holding the flower accessory over her right eye. 

- I then asked my model to change into a dark green chiffon shirt I had brought for her, I chose this colour as I thought it would compliment the reds of my lip, flower and nails. 

Time to shoot!

My photographer gave us a choice of a white background and a charcoal grey one, I chose the charcoal grey as I thought it was more i-D magazine, and I didn't want the white and red combo along with a red English rose, giving the wrong impression, I think it would have look more world cup patriotism, rather than SS15 fashion. The grey just looked more chic and complemented my look alot better. 

I told my model just to have fun really look into the camera, because front covers have to catch your eye; I wanted my model to look as if she is staring at the reader, drawing them in. The first prop I gave her was the rose, I'm really glad I decided to use props to cover the eyes as my model couldn't really wink! Something I never thought of being an issue! Pedro (photographer) thought the light should be hitting the right side of the face (where the flower was) to create a shadow over the left side of the face. The shots were looking really good so I was happy. 

I also got her to use her hand to cover her right eye, to show off the nails.

I then got my red carnation prop, I got my model to place her right arm across her head and position the flower over her left eye which also looked really good, I'm going to have a tough time choosing the final shot!

My model was amazing she switched when she was in front of the camera, and knew how to work it, she was quite shy in person, but oozed confidence when the camera was on her.

I pinned the models hair back at one point so the photographer could get a full face shot of the make-up, without the hair on the face. It's quite a good thing actually as the shots with the hair pinned back will be quite good to put on this blog to show my make-up application.

Overall I was so happy with how everything went, I'm really proud of myself for arranging the shoot, and recruiting a studio space, model, and photographer. Also of my planning, time management, and make-up application on the day! I can't wait to see the final photos!!

Problem solving

I noticed that my models hand holding the flower was limp, so I asked her to make an elegant shape when holding the rose so the image didn't look sloppy, after she did this it looked so much better!

Another thing I noticed was fly away hair showing up on the camera, so I went in and used my postiche brush to smooth down the top of the hair, and secured it with a little hairspray. 

Below are some behind the scenes pictures of my shoot:




Flower props I used on my shoot








Planning my photographic shoot

When we were told that we had to organise a whole shoot ourselves outside of college in our own time, I think my heart stopped for a bit. I was so nervous to go out and source a photographer, model and a studio space!

When I got home I tried to think of friends who were photographers but I couldn't think of anyone, and then I thought about the model, I have some extremely beautiful friends, but I really felt for this shoot that I wanted someone who is comfortable in front of the camera and knows how to work it, also someone who knows there best angles, and the most important thing I want in the shoot is confidence. Now despite my friends being good looking I'm not sure how much confident they would be, for a fashion shoot.

Our tutor Branka told us about 2 sites which are really good for sourcing models, photographers, stylists etc, also great to promote yourself and your own work. These were http://www.starnow.co.uk/ and http://www.modelmayhem.com/. I checked them out, star now isn't free to join but when I signed up they checked with my uni and tutor Branka that I was who I said I was before I was allowed to be a member, which I really liked as that's the main worry I've had is safety with organising this shoot. Models mayhem didn't do this and its free, so that could be better for some people but for people like me; who are extremely cautious I took the safer option even if it does mean paying a fee!

I posted an advertisement on star-now, looking for a model and photographer, I wrote down the brief in short and requested that I'd prefer the photographer to have a studio space. I also stated that it would be unpaid, a collaboration between the 3 of us, so all of us would have the photos for our portfolios, and we would all be credited wherever the photos are shared and displayed. 

I couldn't believe the responses! I had loads, so noew I had the problem of having too many options, rather than before when I was worrying about having no-body.

Charlotte Spencer and I; a girl from my class decided to do the shoot together, because of safety reasons. 

I ended up finding a photographer called Pedro Garcia who had a studio space on the Goldhawk road, and was happy to do 2 shoots in one day. I also found my perfect model for the look I wanted to do. We arranged the shoot date for 10am on Wednesday 18th February. This was the best date for myself and my classmate as it was during our study week so we would have plenty of time to prepare and get organised.

I'm really excited I cannot wait!!

Final hair and makeup design for photographic shoot


Below is a mood-board for my final hair and makeup I am doing for my photographic shoot. I will be incorporating the aspects pointed to by the arrows in the style of i-D magazine. 

My Mood-board for my final hair and make-up design

I will be doing the base, contour, lips, blush, and brows in the style of Dolce & Gabbana's SS15 campaign. The lashes I will be doing Rochas' look, along with Nanette Lepore's bottom lashes, and for the upper lash line I will be doing the smudged brown shadow seen at Diane Von Furstenberg. The hair will be done in the same loose messy curls seen at Mary Katrantzou's SS15 show. The flower accessory in the hair at Dolce & Gabbana will be incorporated into the shoot by it being placed over one of my models eyes; to create the classic wink featured on i-D magazines covers. I will either making the flower accessory if I can find the appropriate flower or petals or I will be buying the flower itself.

To achieve the look:


Base:

I will start by prepping my models skin, by cleansing, toning, and moisturising her face.

I will then apply a matt primer to her face using a foundation brush.

I will then mix her base colour using a combination of my la maquillage palette from Kryolan, and MAC studio fix fluid to give the smooth creamy effect of Dolce & Gabbana's SS15 skin. I will apply using the same foundation brush, then buffing into the skin using a bronzer brush.

I will then apply a custom mix concealer using my Derma palette from Kryolan, and apply to any problem areas of the face if necessary. Using a concealer brush and buffing in using the same bronzer brush.

Next I will apply contour and highlight to the face, using my la maquillage palette to mix the contour colour, and for the highlight I will be using my la maquillage palette once again but will apply MAC vanilla pigment over the top. I will apply contour to the sides of my models nose, around the forehead, around the jaw line, and the cheekbones. I will apply highlight to the centre of the forehead, under the brow bone and to the brow bone. Once I have blended in using my bronzer brush, I will apply the MAC vanilla pigment over the highlight using a blending brush.

I will then apply translucent powder to the face, using a powder brush.


Brows:

I will then brush through the brows, I will fill in using my Ben Nye colour palette, using a angle brush mimicking my models hairs, to keep them as natural as possible. I will then use a brow pencil to create a sharp clean line on the bottom half of the brow.I will then brush through brows again, and apply brow gel.


Eyes: 

For the eyes I will mimic Diane Von Furstenberg's brown shadow around the eyes, but I will only be doing this to the top lash line, as I don't want to take any impact away from the false lashes I will be apply to the lower lash line. I will use a small eye detailer brush to apply cocoa brown from my Ben Nye palette mixed with a little shimmer brown from my revolution palette, to the upper lash line, I will then blend out, to create the same soft finish seen at Diane Von Furstenberg. 

Next up I will apply MAC haute and naughty mascara to the upper lashes using a small fan brush,  I will place a folded cotton pad under my models eyes, get her to close them, then apply mascara on top of her lashes, this will ensure that I can fully cover her lashes without getting any on the base. Then I will apply to the front of the lashes I want quite a heavy coating in order to achieve the same 60's inspired look seen at Rochas SS15 show. I will then use my tweezers to bring together clumps of lashes, creating only a few big lashes. I will use a small smudger brush as its nice and round to draw on the spot beneath the lower lashes, using MAC black track liner.

Next I will apply false lashes to the lower lash line using a clear drying lash adhesive, to mimic Nanette Lepore's SS15 look.

I will then apply a little MAC vanilla pigment to the inner corner of the eyes to open them up.


Lips:

I will apply a lip liner around the lips, to make sure my lipstick colour doesn't bleed. I will then mix up a dark purpley red using my Kryolan lip palette, this will mimic the lip colour seen at Dolce & Gabbana.

Cheeks:

I will be apply Hoola bronzer from Benefit to the cheekbone, buffering down to give a soft edge. I will the apply a small amount of MAC powder blush in a dark shade, to compliment the lips, to the apple of the cheeks, then buff out to give a soft look.

Hair:

I will be copying the hair seen at Mary Katrantzou's SS15 show. To achieve this I will be sectioning the hair, and using a curling wand to achieve the curls, after each section I will be blasting it with hair spray to ensure the curls hold, until I have curled the entire head. Once the full head is complete I will apply volumising root lift powder from Schwartzkopf, to the roots. I will Then brush though the curls with a paddle brush, to get rid of the stiffness caused by the hairspray, I will then spritz the hair with a little salt spray from Schwartzkopf to give it texture. I will then define certain curls by just wrapping them around my finger. If any extra lift is needed in the hair I will use a postiche brush to back comb certain areas.

Then I think we will be good to shoot!

In terms of getting it to look like an i-D cover I need to have my model covering one of her eyes or winking. My idea is to use the flower accessory used in the hair at D&G SS15 runway show, and get my model to hold it over one of her eyes. The flowers used were both deep red roses, and bright red carnations. I am going to try to buy false ones of each and get my model to use both in the shoot then i will choose my favourite shot. 

9. D&G flower accessory and make-up 

For my final shot I quite want to have a play around with the end shots. I quite want to see if I can take one of the images and turn everything black and white, bar the lips, flower and nails which will all be red, I thought it could look quite cool and quirky like i-D magazine. On the other hand I don't want to lose my make-up from the picture like the base, I want that too come across in the shot!

I'm sure once I have the shoot and see the shots, ill know which ones I like the best and what I would like to do with them.

Now to find a photographer and model!!

References:

1. CDNI.CONDENAST.CO.UK

In-text: (Cdni.condenast.co.uk, 2015)
Bibliography: Cdni.condenast.co.uk, (2015). [online] Available at: http://cdni.condenast.co.uk/592x888/Shows/SS2015/Milan/R-T-W/Dolce_and_Gabbana/Backstage/00080h_592x888.jpg [Accessed 22 Feb. 2015].

2. CDNI.CONDENAST.CO.UK

In-text: (Cdni.condenast.co.uk, 2015)
Bibliography: Cdni.condenast.co.uk, (2015). [online] Available at: http://cdni.condenast.co.uk/592x888/Shows/SS2015/Milan/R-T-W/Dolce_and_Gabbana/Backstage/00490h_592x888.jpg [Accessed 22 Feb. 2015].

3. CDNI.CONDENAST.CO.UK

In-text: (Cdni.condenast.co.uk, 2015)
Bibliography: Cdni.condenast.co.uk, (2015). [online] Available at: http://cdni.condenast.co.uk/592x888/Shows/SS2015/London/R-T-W/mary_katrantzou/Backstage/00160h_592x888.jpg [Accessed 22 Feb. 2015].

4. CDNI.CONDENAST.CO.UK

In-text: (Cdni.condenast.co.uk, 2015)
Bibliography: Cdni.condenast.co.uk, (2015). [online] Available at: http://cdni.condenast.co.uk/592x888/Shows/SS2015/London/R-T-W/mary_katrantzou/Backstage/00140h_592x888.jpg [Accessed 22 Feb. 2015].

5. COSMOUK.CDNDS.NET

In-text: (Cosmouk.cdnds.net, 2015)
Bibliography: Cosmouk.cdnds.net, (2015). [online] Available at: http://cosmouk.cdnds.net/14/37/480x722/nanette-lepore-ss15.jpg# [Accessed 22 Feb. 2015].

6. CDNI.CONDENAST.CO.UK

In-text: (Cdni.condenast.co.uk, 2015)
Bibliography: Cdni.condenast.co.uk, (2015). [online] Available at: http://cdni.condenast.co.uk/592x888/Shows/SS2015/New_York/R-T-W/Diane_von_Furstenberg/Backstage/00040h_592x888.jpg [Accessed 22 Feb. 2015].

7. COSMOUK.CDNDS.NET

In-text: (Cosmouk.cdnds.net, 2015)
Bibliography: Cosmouk.cdnds.net, (2015). [online] Available at: http://cosmouk.cdnds.net/14/39/480x720/rochas-bks-a-rs15-4269.jpg [Accessed 22 Feb. 2015].

8. CDNI.CONDENAST.CO.UK

In-text: (Cdni.condenast.co.uk, 2015)
Bibliography: Cdni.condenast.co.uk, (2015). [online] Available at: http://cdni.condenast.co.uk/592x888/Shows/SS2015/New_York/R-T-W/Diane_von_Furstenberg/Backstage/00010h_592x888.jpg [Accessed 22 Feb. 2015]

9. S-MEDIA-CACHE-AK0.PINIMG.COM

In-text: (S-media-cache-ak0.pinimg.com, 2015)
Bibliography: S-media-cache-ak0.pinimg.com, (2015). [online] Available at: https://s-media-cache-ak0.pinimg.com/736x/3f/c7/23/3fc723de94814169c774eb609082a1e9.jpg [Accessed 22 Feb. 2015].


  







  

Sunday, 8 February 2015

03.02.15 Hair- Buns using crepe hair, hair pieces, and extensions.

Buns using crepe hair, hair pieces, and extensions, Tutor; Emma Croombs

So today we were shown how to create a bun using false hair, this is good if your client has short or thin hair as you can create length or volume by adding in a hair piece.

I chose to create a doughnut bun on my dolly head, then used a length of false hair to create a plait which wrapped around the bun.

Step-by-step doughnut bun with plait created using crepe hair and hair extension:

I started by brushing through the hair.

I then brush the hair into a tight, slick, high ponytail. 

I then took a piece of crepe hair, and moulded it into a long sausage shape, which I then wrapped around my ponytail, securing with hair grips.

I took a small section of my pony and the underside of the section (that was facing the mirror) I back combed  the base using my postiche brush, I then teased the base to increase the width using my fingers.

Next I brought the section of hair over the crepe hair and using my pintail comb i tucked the ends out of view, I then secured the section using hair pins.

I repeated this technique with the remainder of the hair, I did another 5 section in total.

At the end I made sure I combed any bumps out using a comb, making sure my bun was nice and smooth.

I then took a length of false hair (extension) and did a basic 3 strand plait. I cross gripped the loop in the top of the extension underneath the base of my doughnut, I then wrapped the plait around the whole doughnut, and secured the other end under the base of my doughnut so the clips are hidden. I then placed a few grips around the plait, ensuring it was secure.









Step-by-step doughnut bun with plait using only real hair:

So for my next style I wanted to try using only real hair, so did the same style, but obviously had to use different techniques.

I used my classmate Molly as my model as she has very long hair, which I needed to be able to do the style without hair pieces/crepe.

I brushed through her hair.

I then brush the hair up into a high, sleek, ponytail, making sure it was tight and had no bumps, I then secured with a hair-band.

Next I took a small section of her hair from the ponytail, same as before, and back combed the underside, (the side facing the mirror).

Instead of placing hair over the crepe hair as before, I wrapped the end section around my index and middle fingers on my left hand, then using my pintail comb I looped the remainder of the section around my left hand fingers, when I reached the end of the section I used my pintail comb to remove the hair from my fingers as neatly as possible. I put one finger in the barrel of hair I created to keep it in place whilst I secured it with grips. I place a grip on either side of the barrel, so they were inside the barrel- hidden from view.

I then took a small section of hair and did a basic 3 strand plait I tied the end with a clear elastic, then pinned it out of the way till later.

I repeated the above technique for the remainder of the hair, there were 5 more sections in total.

Any gaps that I noticed between sections, I simply teased using my fingers and pintail comb to make the sections join and use hair pins to secure.

Next I took the plait I had made earlier and wrapped around the bun. I tucked the end of the plait underneath the bun, out of view and secured with a hair pin, with I pinned through the elastic so it was as secure as possible.







Lesson Evaluation:

I am really happy with what I achieved in this lesson. The first bun I did on the dolly head, I was really happy apart from the hair switch I used to create the plait didn't match the colour of the dolly head. 

For the second look, although the bun isn't as sleek and neat as the one I created on my dolly head, I am really happy as it's a technique I've never used before and considering I didn't have any padding within my doughnut, I think I achieved good volume. Overall I'm happy with what I did. 

References:

All my own work.









03.02.15 contrasting makeup for fashion

03/02/15 Makeup for fashion, Tutor; Branka Vorkapic

Step-by-step:

Prep models face; cleanse, tone & moisturise

Mix models colour using Le Maquillage palette apply to the face using a foundation brush and buff in using bronzer brush, use as your concealer too, add in a little D32 into the mix for under the eyes.

Mix contour colour 6-7 shades darker than your models skin tone apply to areas you want to contour, and then buff in using the same bronzer brush, you brushed the face with earlier.

Use clown white from grease paint palette to highlight (only use clown white if your models is fair, if she has a darker skin tone use a light pink tone, as the white turns an ashy colour on their skin). Highlight areas you want to enlarge/stand out. Buff in using the same bronzer brush.

Apply translucent powder to set, using a powder brush.

Use Ben Nye palette fill in brows using an angled brow brush.

Apply clown white with a round eye brush, to the eye lid; soften the line so there is no hard edges. Flick out the clown white to create a winged effect.

Apply a bright powder shadow colour to the inner half of the eyelid, stipple on, so it’s sitting on top of the clown white rather than blending in. Apply white underneath allows the bright colour to stand out more.

Apply a different contrasting bright powder shadow to the outer corner and over the wing, using the same stippling technique.

Soften the shadow on the wing using a small eye blender brush.

Apply clown white along the water line and into the inner corner of the eye; you’ll want to have minimal product on your brush so it doesn’t bleed into your models eye, and along the lower lash line, then apply a different bright powder shadow over the white.

Use the darkest colour in your bright colour palette; apply from the inner corner of the eye right up to the brow and along part of the socket line.

Apply mascara to the top lashes using a small fan brush.

Apply clown white on the cheek wherever you want the blush to sit, buff downwards.

Next apply a coral blush, starting from by the hairline, using a large eye brush pat over the clown white, and where you buffed out the clown white, also feather the blush so there is a soft edge. Stop about half way so there’s still clown white on show.

Switch to a bright pink blush for the rest of the clown white on the cheek, blend the two together blush colours together.

Next apply black grease paint using as a liner, apply using a small brush along the upper lash line, shadowing the wing you did earlier with the shadow, so it extends up past the eye. Take the line from the inner corner part way along the lower lash line.

Next apply liner along the bright shadow under on the lower lash line.

Apply liner along the shadow that runs from the corner of the eye, up to the brows.

Apply a small dot on the side of the nose next to the previous line you did.


The final line is applied along the blush line.


1. My tutor Branka's demo


2. My tutor Branka's demo



Lesson Evaluation:

I was really disappointed with my final look today. 

There are certain aspects I was happy with such as my colour choices, base application and blush.

But the parts that let me down ended up having a knock on effect with the rest of my make-up so the whole look was ruined and I had no time to fix it as we had to swap over so my partner could have her turn. 


3. My finished look


4. My finished look

As you can see above my finished look is not as it should be. I accidentally used black from my aqua colour palette instead of from my grease palette, so it was really watery, which really effected my eye make up as every time my model had her eyes open it would transfer onto the shadow, so I had to keep fixing it, which meant re applying clown white and the shadow. Unfortunately the last time this happened it was just before my time was up so I couldn't rectify it.

My black lines are too thick. I didn't use a small enough brush.Now looking at the photo my blush could have been a heavier application to give a stronger colour like my tutors version.

Overall I'm disappointed with myself as I know I can do so much better, I think the mistakes arose at to late a point where I couldn't go back and change them as time wasn't on my side.

References:

1. My tutor Branka Vorkapic's demo

2. My tutor Branka Vorkapic's demo

3. My make up

4. My make up





My favourite iconic magazine covers

Jean Shrimpton for Harpers Bazaar 1965

This is one of my favourite covers for any magazine:

1.
It features Jean Shrimpton commonly known as 'The Shrimp', who with thanks to photographers Richard Avedon and David Bailey (whim she had relations with) became one of the first major supermodels, particularly in the 60's. 

This cover was shot and edited solely by genius Richard Avedon, it was soon after this cover that he relocated to Vogue magazine.

Although when the issue came out it wasn't overly popular as it was to avant garde and out there, it has since made the; American Society of Magazine Editor’s 2005 list of Top 40 Magazine Covers (2.traveler, 2012)

More photos from inside the magazine;

3. 

4. 

5. 
Nancy White was editor when this 20th anniversary edition was released. It shows off everything that was of importance at the time; (in terms of popular culture) mod. Jean Shrimpton, space, and pop art.The cover of Shrimpton peering from behind a bright pink Day-Glo space helmet was designed by Art Directors Ruth Ansel and Bea Feitler 6.(traveler, 2012).

The reason I love it, it because I love the style of the 60's and I feel that this cover portrays it so well! Her eyes are unbelievable, obviously it's not just make-up that has done the justice, she has naturally amazing eyes, but the make-up has been done so well and paired with the incredible futuristic styling it just makes an extremely memorable cover which has always drawn in my attention. 

Jean Patchett by Erwin Blumenfeld for Vogue 1950

7. 
This image for Vogue's cover in 1950 with Jean Patchett as the model.

The reason I love this image is because; in 1950’s it would have taken a while to actually create as technology was not as advanced as it is now. With this image Blumenfeld erased majority of the image leaving minimal details the eye, eyebrow, lips and beauty spot, as they didn’t have photo shop back then the bright colours they used for the make-up had to be painted on afterwards. I love image and the expression of the model, it's so eye-catching. The shape the liner on the eye has created is amazing, it looks like she's looking at something whilst trying not to be seen looking.

I watched a documentary by photographer Rankin called '7 photographs that changed fashion' in which he took 7 iconic photos, and recreated them; one of which was this one, he used model Heidi Klum in the recreation of this photo:


8. On the left is the original, on the right Rankin's recreation

Although I do like what Rankin recreated, the original is so much better, just for the pure fact of the amount of effort that would have gone in to erasing facial features and achieving the strong colour pigment on the lips and eyes. It was a masterpiece for its time.

You can watch Rankins '7 photographs that changed fashion' documentary here

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Can it be more sixties than the 1965 cover of Harpers Bazaar?

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Can it be more sixties than the 1965 cover of Harpers Bazaar?

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Vogue Magazine [United Kingdom] (January 1950)

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